Space Transitions


Ivory tusks set in gold with precious stones.

Courtyards, entrances and vestibules are transitional spaces between the outside world and the private domain. To the Oriental mind, the alignment of the entrance in relation to the exterior is vital to good feng shui because this is where the flow of energy or ch'i is controlled. The right entrance invites harmony, good fortune and well-being. It is also here that negative forces, spirits, or influences are repelled. Doors and windows are orifices for the ch'i to enter. Sha or 'noxious vapor' is antithesis of ch'i.




A pair of ivory tusks converts into door handles as a fitting token for the owner who is in the jewelry business. I designed the holder for the tusks in 14 carat gold and set them with nine different semi-precious stones to represent the nine planets of our universe. The door handles are works of art in themselves.

The paving stones and pebbles on the ground suggest a river bed with water flowing into the house. Water is the most potent symbol of wealth and prosperity to the Chinese.





Wu Residence, Garden by night A closer look at the courtyard reveals a dramatic play of light and shadow. The Bamboo, one of the "Four Gentlemen" in Chinese paintings, represents strength, pliancy, aspiration and scholarly character. Against the lighted wall of the garage is a shallow pond for gold fishes, another prosperity symbol to the Chinese.

Wu Residence, Rock Arrangement Entrance from the pedestrian

















Left: A modified yin and yang pattern in gravel on top of the garage provides a sense of harmony between the interior and its outside views. Rock arrangements are long lasting and easy to maintain. Right: The street entrance has black-painted steel doors with a pergola covering the walkway to better funnel in the good ch'i.

FROM THE READERS
"Astonishingly beautiful and thrilling work. I come here often to focus and clear my mind. Thank you for one
of the most intriguing and stimulating. Although we live in a small apartment, I've been able to use many
of your inspired ideas of simplicity, subtraction, textures and light."
Craig Ayliffe, Venice Beach, California; Dec. '2001

[Book Cover] | [Contents] | [Foreword] | [Introduction] | [Formative Years] | [Space to Start] | [Tools of Trade] [Concept Renderings] | [First Break] | [East by Southeast] | [Working Manner] | [Space Transitions] | [Seasons' Home] | [Sunsets' Place] | [Pied á Terre] | [Something Different] | [Restrained Elegance] | [Dream Zones] | [In Comfort] [Prestige Investments] | [Asian Gallery] | [Lighting] | [Objects] | [Flowers] | [Afterword] | [Professional Profile] [Personal Profile] | [Sign Guestbook] | [Guestbook]

Way of Design Book Two © 1996-2009 Jun Alday. All Rights Reserved. Privacy Statement




JUN'S PICK