Book Cover
BOOK TWO CONTENTS
Fore Front
Challenges: Changes
An Assignment
Malate, Manila
Fleur Feast
Color Coordinates
Lively Lines
Refreshing Reprise
Table Tops
Sweet Scents
Prosperity Pillar
________________
Diversions
Flowering Frisco
Buddhist Banahaw
My Mahayhay
________________
Sign Guest Bbook
Read Guest Book



Book Cover
BOOK ONE CONTENTS
Foreword
Introduction
Part One
Formative Years

Space to Start
Tools of Trade
Concept Renderings
First Break
East by Southeast
Part Two
Working Manner
Space Transitions
Seasons' Home
Summer
Spring
Autumn
Sunsets' Place
Pied á Terre
Something Different
Restrained Elegance
Dream Zones
In Comfort
Part Three
Prestige Investments
Building Lobby
Legal Office
Garment Office
Realty Office
Asian Gallery
Part Four
Lighting
Objects
Flowers
Afterword

Professional Profile
Personal Profile
Interview

Clippings
Times Journal, Mla.
Architectural Digest
SCM Post HK
Philippine Standard
Style Magazine HK
Todays Living HK
Lifestyle Asia

Other Links
Importance of Living
Lin Yutang
Herman Hesse



Lively Lines
Renderings in Black & White
page: [1] [2] [3]

Entrance, 1994 In 1969 after I came back from the PSID Design Study Tour, Eggie D. Apostol, the then home editor of the Manila Chronicle, invited me to contribute in her section of the widely-circulated daily. My weekly column Lively Lines, featured design concepts which I rendered in black and white.

The experiences gathered earlier became useful as I forged with my career in Hong Kong. In the various projects I have undertaken, I employ mostly black and white renderings supported by a well organized color and material boards to present my ideas to the client. This approach is not only practical but also expedient.

Child's bedroom, 1994

Here are some of my black and white renderings of three previous projects in Hong Kong which were not photographed at the completion of the project. They offer an insight on how I tackle my projects. Invariably, when I draw a room, I look at it from a one-point perspective. Covering the three walls of the room, it is easier to illustrate the harmonious balance I always strive to achieve in my projects.


Rendering of a Living Room, 1994

Rendering of a Dining Room, 1994

Above: The living room of this apartment in Hong Kong opens to a balcony with a view. To define the room I created symmetrical niches facing the dining room to house a pair of antique "chofas" from Thailand. The pair of loungy sofas, filled with throw pillows, are framed with mirror covered glass shelves to display a collection of jade ornaments. The full-length windows facing the balcony are covered with sliding wooden louvre doors.

Right: The view of the dining room from the living area. A simple glass top dining table is surrounded by all-upholstered high-backed dining chairs. An elaborate antique Japanese Obi serves as an accent. The buffet cabinet built inside a niche is backed by bronze mirror with a Venetian mirror hangs over it.

Rendering of a guest bedroom, 1979 Left: In the guest bedroom, the single bed is arranged like a sofa bed with lots of cushions. The two sides of the bed are pushed against framed niches with hanging ledge for some lighting. On the right side of this small room is a built-in writing desk with storage cabinets facing the windows. The material used as Roman blinds continues to the adjacent padded walls. To enliven my drawing and to break the monotonoy of straight lines, I drew a large flower arrangement in the corner.






[Fore Front] [Challenges: Changes] [An Assignment] [Malate, Manila] [Fleur Feast] [Color Coordinates] [Lively Lines] [Refreshing Reprise] [Table Tops] [Sweet Scents][Prosperity Pillar]
Diversions [Flowering Frisco] [Buddhist Banahaw] [My Mahayhay] [Sign Guest Book] [Read Guest Book]


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