I often use flower arrangements to soften a dead corner. In this high ceilinged living room there is no hanging artworks which makes the corner dry arrangement an important visual element. It is neither big nor small but just the right proportion to balance the other elements in the room. I used Australia natives to identify with the Aussie owner. The split-levelled living space allows for a bird's eye view of the interior elements. Here the top of the dry arrangement is rather important.

The dark purple, orange and red color scheme of this dry arrangement comes from the upholstery of the occassional chair and the Cambodian silk used in the room. It also relates to the red-lacquered Thai wood curving hanging on the wall. To raise the height of the arrangement, I used white acrylic stand. Materials used are dried: timothy, banksia, eucalyptus, poppy seedheads, bulrushes and ferns. The container is a 17th century Thai stoneware.